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E.W. “Bill” Gollings

A cowboy artist in the era of Charles M. Russell

by William T. Ward and Gary L. Temple

John MuirThe works of cowboy artist Elling William “Bill” Gollings [1878-1932] are “undiscovered jewels in the sand,” according to William T. Ward and Gary L. Temple, authors of a new book on Gollings’ life and career. “Gollings lived in the era of Charles M. Russell, he cowboyed and was on the reservations, and he saw the important things and recorded them in a style influenced by the leading western painters of his time, including Joseph Sharp,” Temple says. Following is an excerpt from their book Elling William “Bill” Gollings: A Cowboy Artist (available at www.meadowlarkgallery.com). The two are currently at work on a second volume on Gollings. 

Bill Gollings was first a cowboy or top hand second to none. He could do everything on the range required of a cowboy. Gollings was highly talented, temperamental, and private. He desired certain company at times and was probably as well educated as anyone having an eighth grade diploma. In summary, he was a highly talented, temperamental, and educated loner. The experience of having ridden the range for many years gave him the knowledge and insight of the animals, weather, and colors of the range and hills. He was also very familiar with the characters and ranchers who were common in the area. Gollings could put on canvas the most severe blizzard or rain, the rankest bronc or the most serene Indian encampment.

Read the complete story in the pages of Cowboys & Indians magazine at your local newsstand or call (800) 982-5370.

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